Peter Crimmins

The play about Anthony Fauci and Larry Kramer takes its script directly from a C-SPAN broadcast on which they appeared 33 years ago.

A black box theater and event space make the ballet’s new headquarters accessible by the public.

As Anjoli Santiago takes the helm of Philadelphia Arts in Education Partnership, the state has changed its arts funding priorities.

The Academy will continue scientific research and public education, but its museum will go the way of the dinosaur.

The federal CETA program employed tens of thousands of artists with a 1973 jobs-training law. Its impact has been largely overlooked.

Yeh will be the first artist to receive the Tokyo-based Goi Peace Award for her international work in downtrodden communities.

Rachel Wisniewski‘s “L’dor Vador” highlights campers’ experiences over three summers at a 102-year-old Jewish summer camp in the Poconos.

Philly Stake, a luncheon in the style of “Shark Tank,” will raise and distribute grants to community-improvement projects.

Mello has been an arts education leader at several museums. This will be her first job in Philadelphia.

Over 60 customers submitted family vacation snaps to “That Summer Feeling” from 1931 – 2010.

A national study highlights the Philadelphia festival as a model for helping community-centered arts organizations thrive.

An exhibition of Dia de los Muertos cartonería figures by Mexican artist Ivette Chaires pays homage to the late creator of the Magic Gardens.