Peter Crimmins

The Penn Med Symphony Orchestra has created a virtual performance of a short piece by Edward Elgar as a Thanksgiving gift.

The oldest Thanksgiving parade in America will go on, but it will be tailored for the small screen this year.

Artist Jonathan Santoro uses the Wizard of Oz as a jumping-off point to explore the sinister side of suburbia in the street windows of the Galleries at Moore.

Despite the pandemic, the annual Philadelphia event will go on and memorialize trans people whose lives were cut short by violence.

The influential indie film festival in Philadelphia saw a need for critical writing about Black, brown, and Indigenous visual culture.

The quarterback stated his support of Abu-Jamal, who has been incarcerated for 38 years, and published one of Mumia’s essays on his new website.

There was not enough theater in 2020 to hold an awards ceremony, so Theatre Philadelphia will instead recognize its activists.

The Slought Foundation in Philadelphia put out an open call for artwork reflecting the psychological effects of pandemic life.

Dance On Philly, a dance party for music and dance education, hopes to reignite the city’s vote-count disco in the street last week.

“Brick House” by Simone Leigh draws attention to the importance of Black women in art and culture.

Federal travel posters designed in the Depression-era pop up as the 18th-century building gears up for big anniversaries.

For his show “After the Fall,” installation artist John Schlesinger wrapped neon tubing around concrete debris and reclaimed chicken wire windows.