Peter Crimmins

The multi-disciplinary “Pepperpot” performance brings to life the 18th-century peddlers' songs from Philadelphia’s cobblestone streets.

After 50 years as an interview host, Gross fields questions from Nézet-Séguin about opera, life choices and smoking.

For decades, descendants of Abigail Hartman Rice have hunted for evidence of their ancestor’s patriotic contribution to enshrine her in the nonprofit.

Pennsylvania Creative Industries voted to alter the previously approved overhaul of its funding process.

The “dark days” of the British occupation were filled with parties, dancing and theater.

“What Now: 2026” features 34 original premieres in visual and performing arts to “interrogate” America ahead of its semiquincentennial.

The collapse of the Federation of Neighborhood Centers has left nonprofits scrambling to recover lost funds.

Clausing founded PhillyCAM in 2009 to put media production into the hands of all Philadelphians.

The new play, based on the 19th-century Woman’s Medical College of Pennsylvania, centers international students studying in Philadelphia.

Tempesta di Mare is presenting a fully orchestrated “America Independent, or The Temple of Minerva” as it has never been done before.

“Quilt Elegies” includes a prototype of Krimes’ fabric-based mural designed with people recently released from prison.

The Historical Society of Pennsylvania traces colonists' fractured, decadeslong shift from loyalty to rebellion.