Peter Crimmins

The Clay Studio in Philadelphia asked 12 artists to make work that reflects how they feel about their position in the world right now.

A documentary play at Louis Bluver Theatre is abruptly interrupted every 5 minutes and 39 seconds by another overdose death. That rate is quickening.

After 20 rambling years, Without a Cue Productions puts down stakes in the Curtis building.

The rooms of Glen Foerd, in a 19th century summer retreat on the Delaware River, is the setting for Hughes’ “The Ways of White Folks.”

The revival of the 1969 musical updates the signing of the Declaration of Independence with a cast representing multiple races, genders, and ethnicities.

The orchestra had announced it would dissolve in July, but the Christmas concerts breathed new life into the ailing organization.

For the first time in 43 years, the Pearl S. Buck Foundation is asking the public to nominate influential women, one of whom will win its annual award.

Iceless curling lanes for outdoor play is Franklin Square's first foray into winter sports.

People’s Light Theatre has hired a security firm after threats against the group for its holiday panto that’s more LBGTQ+ inclusive than in years past.

The beloved drag cabaret performer has been diagnosed with leukemia. A South Street block party Wednesday will search for a stem cell donor match.

The ongoing program pairs artists with parents to write lullabies for their babies, crystalizing their first years in song.

Philadelphia250 has selected three community-based projects to develop to mark the nation’s semiquincentennial.