Peter Crimmins

“Storming Caesars Palace” tells a “forgotten” story of mothers on welfare shutting down a Las Vegas casino in the name of poverty activism.

The Eagles running back was relatively small for a football player. He tells his story in a picture book about a mouse with big dreams.

Airea D. Matthews will use the money to put poetry written by local writers who have experienced violence onto public billboards.

Zuhairah McGill will perform her one-woman show “Sojourner,” the first Philly artist in two decades to be on stage at the prestigious festival.

This weekend’s The Clearing in a Germantown arboretum is part of a project to identify, celebrate, and memorialize Philly’s Black women poets.

“How to Get to the River” at the Academy of Natural Sciences of Drexel University wants visitors to experience Philly’s watershed first-hand.

The outdoor performance pairs the problematic “Taming” with its answer play circa 1610, “The Tamer Tamed.”

A handful of women dressed in rags scrubbed the ground of the City Hall courtyard to amplify the work to access abortion rights in the U.S.

“His History of Art” at the Fabric Workshop and Museum traipses through history as a whimsical, crass TV show.

The modern medieval castle in Bryn Athyn has closed for renovations until 2023. So it sent its prized 12th-century stained glass to the Philly Art Museum.

The pop artist died on Monday at 93. His giant sculptures of common objects evoke the silly and the serious of Philly.

What’s it like to be monumental? You can stand on a pedestal at the sculptural installation “Monument in Waiting” and feel posterity.