Preservation

The protection for Doctors’ Row comes ahead of the creation of the city’s first historic district based on the contributions of Black Philadelphians.

Curtis De Veaux and his City Athletics organization bought the empty church before the pandemic and renovated it into a space that is welcoming young people from the community

Philadelphia’s champion tree, The Great Beech, measured above 100 feet tall, making it the tallest of its kind in the United States. It’s slowly dying.

Doctors’ Row in Graduate Hospital could become the city’s first historic district based on the legacy of Black Philadelphians.

The Sisters of St. Joseph would prefer that the next owner be the museum, just a stone’s throw away, if it can raise the money to acquire the property.

One day after a fire destroyed the historic Northeast Philadelphia church, Tacony residents are hunting memories long ago buried in the building.

The free online tool grapples with the question that looms over many development-related clashes: How to grow a neighborhood without disrupting its fabric.

The new commissioner hopes public hearings will resolve a rancorous debate. He promises new regulations and permits, and tougher penalties.

A spokesperson for Arts & Crafts Holdings said Reading International needs to clean up the derelict Spring Garden Street station.

Developer Beech Community Services bought the Sharswood landmark last year after activists worked to raise awareness of the Black history that happened there.

A successor to the Reading Railroad Company filed permits to demolish the historic train station months after a group filed a conservatorship petition to save it.

L&I issued permits clearing the way to demolish a jewelry shop and adjacent commercial building at 8th and Chestnut streets in the city’s historic diamond district.

Springfield Twp. residents’ questions indicated a variety of reasons for opposition that could surface in later arguments, or simply go extinct.

Philadelphia stands to lose more than murals if the city, employers, and cultural institutions don’t do more to support the artists that create them.

Environmentalists object, saying the measure would mean more logging and more habitat loss.