Peter Crimmins

“Lay-lah Lay-lah,” by artist Ella Ponizovsky Bergelson, uses ancient texts to connect the historic atrocity to a range of communities and underscore a shared humanity.

The McCausland Arena at the Chamounix Equestrian Center was built by the youth development organization Work to Ride.

An estimated 1 million items, about 1,000 linear feet, trace UArts’ deep and wide connections to the city.

Just in time for the nation’s 250th birthday celebration next year, Fairey’s work replaces a 112-foot mural of a classically Greco-Roman sculpture.

The new play recounts the history of when a man took several CBC employees hostage in an effort to force them to broadcast a Toronto Maple Leafs game.

The $100 million Calder Gardens, on the Benjamin Franklin Parkway, reinvents what a museum is supposed to do.

WHYY will roll out “Sports in America,” hosted by former NPR “Morning Edition” co-host David Greene, on Sept. 30.

The PMA is now the repository of everything Brand X has done and will do. “Innovation in Screenprinting” is the first of several exhibitions.

The Bearded Ladies Cabaret’s “The Layaway” is a cheeky and mischievous take on opulence and commerce.

The exhibition highlights the state’s natural habitats and efforts to protect them.

The splash fountains of Dilworth Plaza are now a temporary public art installation that allow people to conduct water like an orchestra.

Rennie Harris and Megan Bridge expand a student project from 25 years ago into an evening of self-reflection and social commentary.