Peter Crimmins

“Escape->Control->Play” at the Pearlstein Gallery features independent and artist-designed games that go beyond winning and losing.

More than a joke about a urinal, Duchamp’s museum retrospective traces a shape-shifting artist who defied museums.

Terry Gross and Tonya Mosley are being honored, respectively, by the Radio Television Digital News Association and EBONY magazine.

The Arden Theatre and Philadelphia Theatre Company were first to secure rights to “Girl from the North Country” and “Liberation.”

James Heimer’s The Matinee Idle keeps the spooky season weird.

The Olney home of the late R.C. Horsch is at the center of a grisly police investigation. I interviewed him for over three hours a decade ago.

Gateway Playhouse’s rehearsals and performances offer distracting environments for dogs learning to guide the blind.

“The Gilded Age,” a floral exhibition based on the HBO drama, will bring Lynnewood Hall back to life for 10 days.

The centenary celebrations of Coltrane’s birth will show Philadelphia’s role in the development of a jazz genius.

The Yes! And…Collaborative Theater program guides teenagers to devise an original play for the Philadelphia Fringe Festival.

“Noguchi to Asawa: Designing Postwar America” traces the lives and works of six formerly interned artists whose works helped shape American culture.

Monique Moore Pryor was three years into the job and had clashed with staff.