Peter Crimmins

“What Times Are These?” is an antidote for election exhaustion.

The family of the late Peter Nero has given the brand “Philly Pops” to the start-up orchestra.

A musical satire about the Obama administration, “44” comes to Philadelphia to be at the election’s inflection point.

A $250 million renovation updates the century-old, 1,100-acre showcase garden in Kennett Square.

More than 40 Philly artists contributed work to an exhibition at Big Ramp in Kensington honoring the pets of so-called “childless cat ladies.”

The internationally recognized artist from Camden has her first solo exhibition in the Philadelphia region.

The Pig Iron School for devised theater will remain in Philadelphia while becoming part of New Jersey’s Rowan University.

Created by a collective of artists and activists, the Undue Burden archive catalogs the creative lives of disabled, neurodivergent and chronically ill Philadelphians.

“Legacy in Bloom” in West Philadelphia is for future generations to celebrate civic engagement.

The Brandywine and Wharton Esherick museums — both tucked into the woods 30 miles apart — exhibit the work of the master craftsman, together.

Musicians of the orchestra made a public display of absentee voting to encourage others to make a plan.

The West Philly company is using a garden bed to urge people to petition state legislators into recognizing the Lenape Nation of Pennsylvania.