Peter Crimmins

Autonomous technologies help the Mendelssohn Chorus perform a new work about the ethics of robotics.

Philly’s Weitzman National Museum of American Jewish History comes back after the pandemic and bankruptcy as a forum for contemporary issues.

The Philly playwright and co-artistic director of the Wilma Theater won for “Fat Ham,” reimagining “Hamlet” as a queer, Black southern BBQ.

The William Way Center launches Remembrance, a play, funeral procession, and online portal to honor unmourned AIDS deaths.

Antonio Martorell, 83, installed a tropical forest inside Taller Puertorriqueño in North Philadelphia for an exhibition about the island’s woes.

Inside ESP’s Cell Block 15, artist Mark Menjivar installed a composition written by Texas death row inmate David Lee Powell, who was executed in 2010.

The first lady's historic 1961 renovation of White House interiors, guided by Henry du Pont, is re-created at Delaware’s Winterthur museum.

Amtrak built a wall on wheels to accommodate Virginia Maksymowicz’s “Tools of the Trade,” honoring hand labor in the national rail system.

Canceled during the pandemic as a super-spreader event, now live opera comes back to the Academy of Music with a dark production of "Rigoletto."

The antiques and decorative arts show is now 60 years old, and has a new home atop the Rocky Steps at the Philadelphia Museum of Art.

A judge has signaled her pending approval of a plan to transfer 130,000 historic objects from Philly’s history museum to the private university.

Simone Leigh’s 16-foot sculpture won the Golden Lion. The same sculpture was recently installed on UPenn’s campus.