Peter Crimmins

The series of short films bring Walt Whitman’s poetry to Alabama where regular folks recite lines from ‘Song of Myself.’

The Philly Pops orchestra will invite a tap dancer onstage for its series of Harlem Renaissance concerts.

With its Egyptian galleries closed until 2022, the archaeological museum in West Philadelphia has set up a smaller exhibition of artifacts.

In 1840, photography was both the runt of the fine art world and its greatest threat.

The South Philadelphia theater company lost its home of 10 years. Now, it’s moving back to a bigger, better — albeit underground — stage.

Thirty Philadelphia artists submitted work that has replaced all advertising in the Walnut-Locust Station.

The Philadelphia Museum of Art has the first major retrospective of David Lebe’s experimental photography, tracing his life as a gay man for a half-century.

The Rodin Museum in Philadelphia keeps alive a discussion about public monuments started in 2017 by the Monument Lab.

Opera Philadelphia has commissioned “Denis and Katya,” an opera based on the 2016 shooting deaths of two Russian teens in a self-inflicted explosion of violence.

A Philadelphia production team released an online documentary on Shudder, tracking a century of black representation in the bloodiest of genres.

“Mundane Futures” assembles African-American art and artifacts as it imagines a radically banal tomorrow. The exhibit continues through March 31 at Penn.

It’s an accidental triple-threat as three regional theater companies simultaneously produce variations of Chekhov’s classic ‘Three Sisters.’