Quintessence Theatre company buys historic Sedgwick Theater in Mt. Airy

The Art Deco movie palace cost the small theater company $2.3 million, with millions more ahead in renovations.

An architecture rendering of the Sedgwick Theatre

An architecture rendering of the Sedgwick Theatre after renovations by the firm Voith and Mactavish Architects are complete. (Courtesy of Quintessence Theatre)

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The Quintessence Theatre company has bought the historic Sedgwick movie theater on Germantown Avenue in Mt. Airy, which has been the performance group’s home base for 14 years. The 1928 art deco movie palace is the centerpiece of the recently designated Mount Airy Historic District corridor.

The cost: $2.3 million. Quintessence, a Barrymore award–winning company that produces classical theater with a contemporary spin, raised the money with private donations, a bank loan and a significant gift from local philanthropists David Haas and Lisa Clark.

The theater company plans to put an additional $8 million into extensive renovations of the building, of which about $3 million has been raised, including $1.75 million in state redevelopment grants.

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Artistic director Alexander Burns envisions the Sedgwick becoming a performing arts center for Northwest Philadelphia.

“It’s not just building a world-class theater in Northwest Philadelphia,” he said. “It’s restoring an incredible historic structure from the Golden Age of Philadelphia.”

Patricia Stranahan, Alexander Burns and Erica Ezold in front of Quintessence Theatre
Left to right, Patricia Stranahan, Quintessence board chair, Alexander Burns, artistic director, and Erica Ezold, executive director, stand in front of the theater they just bought. (Courtesy of Quintessence Theatre)

The Sedgwick was built in 1928 as a 1,600-seat theater designed by theater architect William Harold Lee, with a built-in pipe organ and orchestra pit. It screened films for almost 40 years.

In 1966, the main auditorium was gutted, walled off from the lobby and used as a warehouse. It has been separated from the front part of the theater and no longer functions as an auditorium, but Burns says the original stage proscenium arch is still there as well as the relief ceilings.

The most recent owners of the property, David and Betty Ann Fellner, bought the building in 1994 to be the headquarters of their nonprofit the Sedgwick Cultural Center, which lasted until 2006.

In 2010, the Fellners began renting the theater to Quintessence, but the building was in such poor condition at the time that the company had a hard time complying with Equity actors union requirements. It ultimately built a 225-seat black box performance space in what used to be the anteroom in front of the auditorium.

“We treated the Sedgwick for the first five years as a found space where we were producing theater in a kind of derelict, abandoned lobby,” said Burns. “Then the next five years we started to make it actually work as a professional theater venue.”

Quintessence has bought just the front portion of the theater, which includes the lobby and black box performance space in the anteroom. The back of the building, including the original auditorium that is still being used for storage, has been separated from the front and was not part of the sale.

It is a dream of Burns to ultimately acquire the original auditorium as well, but that is a long way off.

“I’m from Philly. I grew up in Mount Airy. I’ve always dreamed about there being a world-class professional theater dedicated to the classics in a space that was worthy of those plays,” said Burns. “This is a major step toward making sure that that’s a reality whether I’m part of it or not. That’s really exciting to me.”

Renovations to the buildings, designed by the architectural firm Voith and Mactavish, include replicating the original 1928 marquee, expanding the black box theater space and upgrading HVAC, plumbing and electrical systems. That is expected to begin next year and be completed in time for the building’s 100th birthday in 2028.

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“Quintessence has articulated a compelling vision for the restoration of this iconic venue,” said executive director of the Mt. Airy Community Development Corporation, Philip Dawson. “The purchase of the theater is a positive milestone for Mt. Airy’s Germantown Avenue commercial corridor, whose businesses will benefit from the impact of an expanding artistic destination in the neighborhood.”

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