Scenes from Philly’s Latino Barrio festival
Philly's Latino Barrio festival draws crowds.
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Festival goers dance to the rhythm of the Johnny Cruz Latin Ensemble at the 2013 Nuestro Barrio Fair. (Elisabeth Perez-Luna/WHYY)
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A view from the stage at the Feria de Nuestro Barrio 2013 — Our Neighborhood’s Festival 2013. (Elisabeth Perez-Luna/WHYY)
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Performance poet Denice Frohman recited her bilingual poem about people in the neighborhood, the things they care and talk about, and what they choose to ignore: their bodies, their health and particularly HIV testing. (Elisabeth Perez-Luna/WHYY)
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Dancers for the Casa De Venezuela Ensemble perform a traditional Joropo. (Elisabeth Perez-Luna/WHYY)
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Zoraida Figueroa (R) and Griselle Puente are active in the Hispanic American Riders Association. Their husbands have retired from the police force and their group is often called in to keep order in a “respectful” non- aggressive manner. (Elisabeth Perez-Luna/WHYY)
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Two founding members of the Philadelphia Chapter of the Hispanic American Riders Association show their jackets. (Elisabeth Perez-Luna/WHYY)
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The Puerto Rican flag was everywhere on North 5th, the Latino “Bloque de Oro”, the Golden Block. (Elisabeth Perez-Luna)
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Johnny shows his grandmother’s work. As a visual artist and educator, Andria Morales uses recycled materials, in this case a Goya rice bag, to create small “Vejigantes”, traditional Puerto Rican masks. (Elisabeth Perez-Luna/WHYY)
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After waiting in line, two friends pose in front of a tropical-like back drop for a photo at the Philly Te Ama, Philly Loves You tourism booth. The photos are immediately sent to their e-mails. No waiting for that. (Elisabeth Perez-Luna)
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Paintings on plywood invited children to enter their own art and crafts garden where staff from the Puerto Rican Workshop ( Taller Puertorriqueno) and other Philadelphia cultural organizations worked with children to create masks, drawings and puppets. (Elisabeth Perez-Luna)
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Drummers from the Cruz Latin Ensemble (Elisabeth Perez-Luna)
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A conversation among friends at the foot of two graffiti women. (Elisabeth Perez-Luna
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I caught up with this man as he walked the length of the festival peddling colorful posters targeted to any religious belief preference. When the vendor ran out of posters, he switched to selling Latino themed t-shirts. Real entrepreneur! (Elisabeth Perez-Luna/WHYY)
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The Philadelphia Botanica has been on 5th Street for about 45 years and labels itself as a “place for spiritual arts.” It sells everything ranging from potions, herbs and candles to statuettes depicting Catholic saints, African and Caribbean Orishas. (Elisabeth Perez-Luna)
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Carmen Febo San Miguel, president of the Taller Puertorriqueno and the mastermind behind the yearly fair which she describes, “focuses on Latino arts and culture, economic development and education," (Elisabeth Perez-Luna)
There’s no need to look at street names. As soon as you see two large metal palm tree sculptures flanking each corner, you know you are on Fifth and Lehigh, the gateway to El Bloque de Oro, the golden block, the main business and cultural corridor of the Latino community in Philadelphia.
It’s a two-block area that has witnessed decades of celebrations, politicians’ visits and community events like this year’s Nuestro Barrio Fair (our neighborhood fair). The energy of the gathering was not fueled by fanfare or pageantry, but by the people who flocked to dance to the rhythms of four bands, listen to slam poetry and follow the intricate steps of Venezuelan and Puerto Rican traditional dances.
It was also a place where corporations and social service agencies peddled their message and distributed hundreds of promotional goodies — bags and caps, key chains, small toys and useful information about health services, education programs and the arts.
Colorful T-shirts identified each group. Dark blue led you to a large RV where people, mostly women, were being tested for diabetes and high blood pressure; pink shirts identified the group Positive, which provided information and on-site testing for HIV; white shirts for the Univision people and its raffle booth; black tees for a high school group participating in the Photography Without Borders Project; and so on.
Watching the whole thing with a somewhat benevolent eye was a group of bikers, leather jackets and all but with no “attitude.” They were members of the family oriented Hispanic American Riders Association.
The food was nothing to write home about, but the souvenirs reflected Latino identity, the crafts by local artists added to the dynamics of the place and the children were invited to create their own art in a special garden next to the Taller Puertorriqueno. A slam-packed afternoon indeed.
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