
Shapiro on Theater
Philly Fringe review: ‘Antihero’
Here’s what you get when you mix over-hyped masculinity, comic book heroes and the Philadelphia Parking Authority: the sock-’ ...
10 years ago
Philly Fringe reviews: Franz Kafka’s ‘The Castle’ and ‘Saint Joan, Betrayed’
FRANZ KAFKA’S “THE CASTLE.” Franz Kafka’s unfinished novel, which was completed by his editor an ...
10 years ago
Philly Fringe review: ‘A Doll’s House’
Lots of girls hold a doll in each hand and make up stories, but only Mackenzie Maula holds her dolls while reciting a version of Henrik I ...
10 years ago
Philly Fringe review: ‘Pay Up’
Pig Iron Theatre Company’s inventive “Pay Up,” a flip take on money and value that was the runaway hit of the Philly Fr ...
10 years ago
Philly’s Fringe festival begins to expand, plus some picks
This is the year of the expanded Fringe. The Philly Fringe festival – now officially called FringeArts – has not just a new name, but ...
10 years ago
Review: The ‘Allergist’s Wife’ breathes freely
Boyd Gaines is an actor in films, but with four Tonys—his most recent for his role in the revival of “Gypsy”—his career h ...
10 years ago
Review: ‘Macbeth’ as a stage company’s added attraction
The no-nonsense staging and smooth interpretation that Commonwealth Classic Theater Company is giving “Macbeth” in West Phila ...
10 years ago
Review: A gender-swapped ‘Earnest,’ in all but name
A decade or so back, a stage production that bent the genders of that most delicious boy-chases-girl comedy, “The Importance of Bei ...
10 years ago
Review: Then and now, the lesbians of ‘Cold’
The Bird Hole, a fictional lesbian bar where the entire 90 minutes of the new play “Cold,” is set in a single scene, was once ...
10 years ago
Review: Martha Graham Cracker, a Philadelphia institution 8 years running
Philadelphia drag performer Martha Graham Cracker celebrated eight years of kooky, and maybe kinky, performances Thursday night. Her ...
10 years ago
Review: ‘Measure for Measure’ and a sense of proportion
And now, a special summer nod to Fontaine Syer, the director who has done something wonderful at the Pennsylvania Shakespeare Festival fo ...
10 years ago
Review: Sex and angst in the ‘Summer of ’42’
Chelsea Packard is a lovely woman with a big singing voice, and also the best reason to go see the musical version of “Summer of ...
10 years ago
Review: In ‘The Tempest,’ every man for herself
There’s plenty of magic afoot on the far-out island where the sorcerer Prospero stirs up “The Tempest” that is the ...
10 years ago
Review: ‘Noises Off’ and on, too
By now Michael Frayn’s farce about a dumb troupe of actors called “Noises Off,” which opened in Britain in 1982 and hit ...
10 years ago
Review: ‘The Importance of Being Earnest,’ earnestly
For a play as juicy as Oscar Wilde’s “The Importance of Being Earnest” – among the greatest comedies in our language ...
10 years ago
Want a digest of WHYY’s programs, events & stories? Sign up for our weekly newsletter.