Visual Arts

Artist Jonathan Santoro uses the Wizard of Oz as a jumping-off point to explore the sinister side of suburbia in the street windows of the Galleries at Moore.

The influential indie film festival in Philadelphia saw a need for critical writing about Black, brown, and Indigenous visual culture.

The vision was for the Fishtown-East Kensington event to be a win for businesses, artists, and the neighborhoods during the pandemic.

The Slought Foundation in Philadelphia put out an open call for artwork reflecting the psychological effects of pandemic life.

“Brick House” by Simone Leigh draws attention to the importance of Black women in art and culture.

For his show “After the Fall,” installation artist John Schlesinger wrapped neon tubing around concrete debris and reclaimed chicken wire windows.

“Rendering Justice,” at the African American Museum of Philadelphia, features artists making work about reentering society.

The Navy Yard installation by Group X is up till the day before Election Day.

A get out the vote campaign dresses up postal boxes in Philadelphia with large-scale flower arrangements.

The pandemic delayed, but did not stop, the IDEA center in Camden from offering young people ways to create art.

An exhibition of artwork by recent MFA graduates experiments with sound, video, performance, and sculpture to engage the public during a pandemic.

The artists of “To the Polls” use hot-button words and images to make their case for the importance of voting.

After being sentenced to a life term as a teen, James Hough practiced painting while incarcerated and contributed to over 50 murals in Philadelphia.

A show of over 100 works takes a fresh look at the mid-century Black folk artist.

The ICA in Philadelphia opens an exhibition of jazz drummer Milford Graves and his lifelong research into the power of heartbeats.