Heather Campbell Coyle, the museum’s curator of American art, is the driving force behind the exhibition, which explores social change, diversity and the wide-reaching appeal of Jazz Age illustrations.
“I was interested in the idea of the 20s and 30s in part because illustration is just a burgeoning field and it’s even starting to open up to more artists and more audiences. So you have more women artists and you have more artists of color,” she said. “There’s lots of images that reflect particularly the new positions of women in society, the new fashions that women were wearing … and young people hanging out together instead of with their families was another big thing. Young people who were going to jazz clubs, young people who were going to work.”
This made selecting pieces for the exhibition a challenge for Campbell Coyle as the styles ranged widely, from depictions of social change and music to hyper-realism, Art Deco, cartoons and painterly techniques.
Another challenge was narrowing down eight pieces from the exhibition to be reproduced in large vinyl form, displayed across Wilmington’s 8th District. Each piece was thoughtfully paired with literary quotes from the Jazz Age, enhancing the connection to the era.
“This includes the two wonderful images of Etta Moten Barnett and they are all paired with quotations,” she said. “I picked quotations from literature from the period, from people like F. Scott Fitzgerald or Hemingway.”
One of Campbell Coyle’s favorite pieces is a poster featuring Etta Moten Barnett, paired with a quote from Langston Hughes’ poem “Dreams.” This striking image can be found at the Lincoln Towers.
Additional murals are displayed at various locations around Wilmington, including Brew HaHa in Trolley Square, Luther Towers and Southeast Kitchen.
The exhibition, which opened in early October, will remain on display until Jan. 26th.