Howard Shapiro

Christopher Durang’s one-act play, produced by the Idiopathic Ridiculopathy Consortium, brings its own laughs as it dallies with taboos.

Quintessence Theatre Group’s bam-bam production whizzes by, even though it’s a very full two acts. There’s music and slapstick and more, through June 30.

Luzerne County's "cash for kids" scandal inspires a musical at the Lantern Theater.

The play offers characters who deliver their own points of view about being moms — ideas that illuminate the subject, then let you think for yourself.

This evocative play about a child of war features a complex story and a fine cast.

“Boycott Esther” playwright Emily Acker creates an imperfect onstage drama out of her career setback because of Harvey Weinstein’s fall from grace.

Playwright Kate Tarker offers up the absurdist tale of a shepherd, his wife and Oedipus, the son who left them.

Sarah Ruhl wrote the play as a 70th birthday gift for her mother, who portrayed Pan as a teenager in Iowa.

Afghanistan and Omaha are the settings for an alternately funny and sad drama about the meaning of struggle.

The play has been the object of scorn and disgust for its subject matter and even for its title. But this flawed presentation satisfies as a glimpse of theater history.

Movement may be more subtle in this Philadelphia production of the Broadway dazzler, but the result is striking and eloquent in its own right.

The ‘Few,’ by MacArthur “genius grant” fellow Samuel D. Hunter, strikes common chords about loneliness and connection and continues through April 7.